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Do You Want Traffic or Do You Want to Sell Art?

by Clint Watson on 1/23/2009 7:46:29 AM

Today's Post is by Clint Watsonfounder of FineArtViews. Follow Clint on Twitter.

While browsing Kathryn Tyrrell's excellent Making a Mark blog, I came across a post, What Do You Know About Selling Art Online?, where a reader had written Kathryn for some advice on getting her artwork "out there."

Considering the questions the reader posed led me down the following line of thought . . . .

Two Common Online Art Marketing Questions

In part, the reader wrote, "I'd really like to get more traffic to my blog and website but have no idea how to do it. Any advice you could give me would be really appreciated...Do you have any recommendations regarding Etsy, ImageKind or any of those sites?"

These types of questions are very common, especially among artists who are just getting started online.  So Kathryn helpfully distilled the reader's letter down to the following two points that most artists wonder about when they're getting started:
  • how to get more traffic to her blog and website
  • views on various websites which help artists to sell their art online.

In fact, Kathryn, has found the time (I don't understand how) to put together a Squidoo Lens to help artists answer these questions.


My Easy (but wrong) Answers

I want to be very clear, before I get into the meat of this post that I have absolutely no problem with the questions posed above, and Kathryn's answers and lenses are useful and helpful resources.  I encourage you to utilized them.

However, I had some thoughts about such questions that I wanted to share.  You see, sometimes these questions are asked by people who don't necessarily want the "real" answers (hint: marketing hard work and takes time....years, usually), but are wanting a "quick" solution and/or some kind of magic site/method that will just automatically start selling their artwork.  And, since I'm in a bit of a flippant mood today, so I'll start by giving you a couple of flippant (ie wrong, but easy) answers to them:


Question 1:  How to get more traffic to your blog and website
(instantly)

Answer 1:  Advertise. 

You'll get traffic right away....just realize that the "traffic" will be virtually worthless.  For example: A few months back, out of curiosity, I experimented with StumbleUpon advertising and shot my visitor number up over 1,000 visitors more than normal over a couple of weeks.  It could have gone much higher too if I was willing to waste more money.  However, as soon as I stopped advertising my traffic went back to normal.  (Of course "traffic" that you garner by having conversations over a period of months or years with loyal readers isn't worthless.....more on that below).


Question 2:  Views on various websites which help artists to sell their art online.

Answer: 2  These sites do help your existing sales effort, they don't usually sell much for you. 

These websites have neat technology and can be of great assistance to "help artists sell their art online."  These sites typically are tools to assist you with your marketing and selling efforts.....they don't sell FOR you....you've got to do that for yourself.  The blog, EmptyEasel, interviewed two of ImageKind's top selling photographers and essentially they both did all their own promotion and used Imagekind as a back-end fulfillment service....and that's a great service after you've made the sale that needs back-end fulfillment.  One of the photographers interviewed, Ben Rogovy had this advice, which sums it up nicely, "It’s always best to start where you’re already known and work outward. Often times an artist may have a support network of family and pre-existing fans/friends. Those people are a good base to start word of mouth."


A Different Perspective

It's not necessarily bad to ask the questions presented above, we all want more "traffic" and we all want more sales.  However, I've felt for some time now that, although the Internet offers so many opportunities for artists, it seems that we're commonly asking the the "traffic" questions while ignoring the "right" questions.

For example, consider what artist Asher Mains wrote, "I am under the impression that many people including artists are still in the Web 1.0 phase of simply providing their work for broadcast across the web. More and more I understand that people really want to be engaged. Watching my statistics I have an ok amount of visitors - but there's nothing to bring them back to my site. Instead of being an artist standing on a corner preaching my artistic ideas at people walking by - I want to be an artist that has dialogues with people walking by so that they can engage my work more fully and so that I can learn from their feedback."

Or think about what artist, John T. Unger told me, "It's not about traffic, it's about the right traffic.  I once got 50,000 visitors in three days from collegehumor.com.  The 50,000 did not buy anything, leave any comments or link to the site.  They were in and out.  By contrast, the same number of visitors that year who found the site organically spent 1,000s of dollars and told their friends."

With that in mind, here are the questions I think artists should be asking:


6 Uncommon Art Marketing Questions We SHOULD Ask

1.  How do I engage in conversations with my existing contacts and begin leading my clan regarding my story?

2.  Do I have the proper tools on my website and blog to have meaningful conversations?

3.  How do I encourage my existing supporters to refer their friends?

4.  Am I making full use of my mailing list before asking about such things as "traffic"?

5.  Do I have an email newsletter?  If not, why not? and how soon can I start one?

6.  Do I realize that nobody or no website is going to market or sell my work nearly as well as I can?


What I'm saying here is that "traffic for traffic's sake" is worthless. We want "people for people's sake."


Remember, Less is Often More Powerful

It's like Daniel Edlen wrote on his blog, Vinyl Art, "We need to appreciate PEOPLE, not the value they create for us to take. I'm lucky in that, firstly, I get to do what I enjoy, and secondly, I usually get appreciation for what I do. I get to feel connected to the goodness in people. It is there."

I wrote about this previously in 1. vs. 100, but I'm going to re-post the ideas here.

Think about this:

Would you rather have......

1 Person who loves your work or 100 who are "just looking?"

1 dedicated fan or 100 "page views" on your web site?

1 real friend or 100 "FaceBook Friends?"

1 fantastic painting or 100 mediochre ones?

1 selling gallery or 100 restaurant exhibits?

1 productive hour or 100 hours watching TV?

1 week in Maui or 100 weeks at work?

1 person who refers another buyer or 100 "maybes" who found you through Google?

1 phone call from a person whose life your art has changed or 100 emails from people wanting you to add "more red" to your work?

1 customer or 100 time wasters?


Sometimes 1 is far more powerful than 100....

Remember that before jumping on the latest Internet bandwagon promising you more "hits", more "page views" and more "traffic."


Now go change the world.


Sincerely,

Clint Watson
Software Craftsman and Art Fanatic


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Related Posts:

Artists: Lead Your Collector Clan

1 vs. 100

Changing the World

Art Marketing is Conversations

What REALLY Drives Web Traffic - Word-of-Mouth and Advertising

What You Really Need


Topics: art marketing

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 9 Comments

Lori Landis
via web
Hi Clint, How timely that your blog came. I just had listened to a webinair about marketing your blog. I was exhausted. Thanks for clarifying what we really need as far as traffic. My artwork website needs more than viewers but people who would understand my philosophy of painting. A comment I would like to make on previous blogs about gallery relationships. Galleries get too focused on flash and not substance. The gallery I'm in though sends a sales slip to me with name, address and phone when there is a sale, but I'm not allowed to talk or contact the collectors. I would think having the artist in dialogue with the collector would be a help as you said. Thanks for your thoughts on the subject.
Athena Alexa
via web
hi Clint,
I really enjoyed the information in this blog about the right kind of traffic and the importance of connecting with the audiance and the quality of traffic being far more important than the amount of traffic!
I found this helpful in my goals for my book series and artwork.This is so true and as painstaking and tedious as this can be in the beggining it is one of the most important steps to creating and expanding a good fan bace...
But I would like to add some of my own thoughts on this too,
I think depending on an artists goals that massive amounts of constant traffic can add to the stir and buzz.
My goals may be different,but I want my work in the mainstram,and if enough people see my work over and over it will soon have a doorway to go through,a path,I am on many art and poetry sites,and have also found that my daily posts are creating a stir of more and more views,the more they see my work,the more it will grow.At this point sales are not my first priority,the more popular I become as an artist the more people can connect with my vision,the sales will follow,But I do believe in lots of constant traffic,but also to perservere in this I must keep at it,because one round of tons of traffic wont do much,but the constant flow of getting my work before a larger and larger audiance is definately having an impact on my career and my goals...
The fan base and the contact that you describe in your blog is absolutely where its at for sales and for starting a stir and growing the art business,but if someone has goals for the mainstream,or goals to be a world renowned artist,thier are ways to expand on this even more,lots of traffic is a part of my game plan.but daily posting and a cosntant perservering effort of putting my work in front of the masses is one of the ways that I make my path...
Athena Alexa
Author of earth prayers angels and dreams
The earth prayer series
www.timeswindow.com
Rick Wojnilo
via web
Hi, timely info in this post. Just what I was looking for. thx
Emma Brooks
via web
Brilliant post Clint. Your '6 Uncommon Art Marketing Questions' is definitely a road map to success online.

Your post came into my email box at the same time as an eletter from 'marketing troubleshooter' Mary Schmidt www.maryschmidt.com. She is not an art marketing person, but talks about business in general and marketing. Much of her eletter relates to what you say:

"If you know your customers you can:

1. Make sure you know customers' concerns or issues before they develop into biz-losing problems.

2. Regularly communicate with them so you remain top of mind, even when you're not selling.

3. Build and keep a relationship going so you don't have to go out and find NEW customers. (less marketing costs, increased profitability, more fun for you.)

4. Use them as a sounding board for new ideas. People love to be asked for advice and customers who trust you aren't afraid to tell you the good, the bad and the ugly. "

It's all about connecting in a more meaningful dialogue and maintaining that conversation, so that you, as an artist, are top in your customers mind when they come to buying new art.

Or better still, the fact that they have a dialogue with you in the first place, makes them want to buy art from you! 'I ain't looking for art, but I REALLY want that piece of art! Where's my wallet?".

Always a pleasure to read your blog.
Best wishes
Emma
Terry Krysak
via web
This is excellent advice, your 6 points distill the main issues down to a workable game plan, and I am pleased to have read something that is more useful than what the successful internet marketers have been offering as advice.

I have had my work on Redbubble, Imagekind, and Zazzle for over a year, and although I have received over 5,000 views, I have only had a total of 3 sales (prints)of my work.

My 1 month old blog has received almost 1,300 visits, and resulted in 1 sale of a print on Redbubble. I agree with your point that visits don't necessarily translate into sales.

After reading this, I need to go through your points and put a lot of energy into each one.

Thanks very much for the tips, they provide a unique perspective to this whole issue.
Walter Paul Bebirian
via web
this all sounds good - but - there are great art dealers such as Leo Castelli who admit to not being salespeople at all - who let the customers know what was in their galleries and did not bother with selling - but who sold more than anyone around - I would rather take that approach - let the artwork sell itself -
and there a many pieces that I have sold to people around the world who are so enthralled with those pieces while I have forgotten that they have them -

I suppose like anything else in this world - there are as many ways to either skin a cat or enter the ocean or win the hearts and minds of people and while I might be interested in doing that for photographic assignments - I suppose I would prefer that in the instances of my art - that the art do it's own selling please - :-)

P.S. for the record in relation to the code verification box below - I am a human - but with all of this putting in of numbers and putting effort into marketing and selling and stuff - there may be a thin edge that I might be approaching so you never can tell -
Lori Woodward Simons
via web
Clint,
You post reminded me of an artist friend of mine who began with advertising quarter page ads in major art magazines. The only response he received was from would-be students interested in his workshops. He then went to half page ads, same response.

When he put in full page ads, collectors took notice and he began to sell the work in the ads. Frequency is important, but so is impact. You have to know who you're trying to impact and how to get their attention.

Thanks for the thoughtful post!
Anita Murphy
via web
WOW - my question to Katherine seems to have got around!!!
jimmy springett
via web
Hi Clint,
This is the heart of my whole 2009--centering on ideas to think quality, not quantity--sort of goes hand in hand with the quality of paintings being presented.

In a quote, in the article "I want to be an artist that has dialogues with people walking by so that they can engage my work more fully and so that I can learn from their feedback," I worked with your tech group, Padgett and Marsha both great people helping me set up what I call a survey form, using the other form option. I am trying to do exactly that get folks to engage in discussion and then keep coming back to take a more serious look at my work. Having been on your website for about 4 months I have learnd that traffic is variable and I have yet to sell my first work on the website but that can change too.

I have been recognizing too, that working and networking with fellow artist is a good idea, in Alyson Stanfield's salon group approach a small group of artist help one another . Having worked primarily by myself all last year, was a huge learning time, not only learning more about myself and my painting style but now I am recognizing that more heads together are better than one head.

I continue to work on goals for 2009 having started the process in late 2008, and I continue to refine as I progress into this new year.

Keep up your timely blogs and encouragement, because you are helping many of us walking in the wilderness at this time, when did we stop walking in the wilderness, come to think of it we have never stopped.

best wishes, Jimmy











 
 

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