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Plein Air Workshop in Italy with Kenn Backhaus

by Clint Watson on 8/10/2007 2:01:31 PM

Here's a great opportunity to study and see Europe....

Plein Air Oil with Kenn Backhaus
$2,500.00
Location: Tuscany, Italy
Workshop Dates: 9/27/2008 - 10/4/2008
Contact Person: Susan Truitt

Among the goals for these workshops will be for the participants to relax, live and paint in Tuscany for the week. The workshops will be structured with 3 full days of instruction, 1/2 day of instruction with the afternoon free, and 2 mentoring days. On the mentoring days, the group can choose to paint alongside the instructor or at another location. On these special days, there will be late afternoon group critiques.

The accommodations for the workshop will be in apartment-style lodging at a family-owned agriturismo with each participant housed in their own private bedroom. Most bathrooms are private as well. The apartments and property are charming and comfortable, completely updated and well-maintained. The agriturismo is located in the heart of the Val D'Orcia region of Tuscany. Among other things, the grounds of the agriturismo include a vineyard, olive grove and vegetable garden, as well as many other places to set up an easel and make great paintings.

This area is full of wonderful things to see and do. Close by there are a number of beautiful hilltowns including Pienza, Montepulciano, San Quirico D'Orcia and Montalcino. There will be opportunity for optional excursions.

Workshops are limited to only 8 participants.

Included in the price of the workshops is instruction, 7 nights lodging, bountiful provisions for a traditional Italian breakfast on your own schedule, and 3 dinners typical to the region (wine included).

Not included is airfare and ground transportation.

Price is $2500 per artist.
$800 for a non-painter sharing a bedroom with an artist.



FOR MORE INFORMATION  please visit the following link:

Open-Air Workshops in Tuscay, Italy




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Topics: Workshops

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 1 Comment

Charles Anderson
via web
Keith is right on observation and painting what you see. Unfortunately, in the world of workshops/exotic locations tend to patronize the artist. There is a major clone disease going on in the amateur and new professinal ranks. How many landscape artists copy Clyde Aspevig, Scott Christensen, Richard Schmid, Dan Gerhartz, Weistling et al. They want to photograph the artist during demos, take video, buy the videos not to listen to what the artist is telling them but to just copy, technique, subject matter and palette. Why not go back to the artists that inspired these contemporary artists like Zorn, Sorolla, Sargent, Loomis and many others. There the fledgling artist will have to think and seek their own voice instead of copying someone else. Copying someone else is futile. The artist you are copying already has worked through the problems leaving you painting a flat uncomplicated copy. So what. I also recommend to watch out for artists that give workshops that are so full of themselves and have that theatrical painting done over and over that they are more concerned with impressing than teaching. Keith has the right attitude about his workshop. On that note alone, he should be highly commended.









 
 

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