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Share Your Stories

by Keith Bond on 7/7/2009 10:36:50 AM

This Post is by Keith Bond, Regular contributing writer for FineArtViews.  Find out how you can be a guest author.

Several years ago I commented to Ron Hicks about a painting of his that I loved.  The painting depicted an old bicycle on a quaint village street in Europe.  He graciously thanked me and then proceeded to tell me the story behind the painting.  He said that he was painting this scene from life and while he was partway through the painting, a lady got on the bike and rode away.  Fortunately, he had gotten enough information to complete the painting.  I know that I have forgotten many of the details of the story, but I remember that I thoroughly enjoyed hearing him share it at the time.   

I learned a great lesson from him that day about sharing my own story with others.  People enjoy art more when they connect with it on more than one level.  Although I loved the painting before hearing the story, I loved it even more afterwards.  I suddenly became involved or engaged.  I could imagine being there and watching the subject being ridden away.  I could imagine his frustration.  I'm sure he wanted to chase her down and ask her to leave her bike there.  In my mind, I became a spectator.   Because of his story, I connected with the art and artist on a new level.  

Later that evening, I overheard him speaking with someone else about another painting.  He had a fascinating story for that painting as well.  Another great lesson learned:  every work of art has a story.  Share that story with others.   

Your collectors will be more endeared to your work when you share your stories with them.    

This principle was reinforced to me early in my career.  I had a large painting of a grove of aspens entitled Catherine's Playground.  Some collectors were considering the piece.  They loved it, but weren't quite sure if they should buy it or not.  They asked me about the title, so my wife and I told them the story.   

The painting was named for the daughter of our dear, dear friends.  Catherine was a curious 5 year old, whose inquisitiveness would often get her into trouble.  She wanted to learn about everything and so she would get into everything.   

We had our friends over for dinner and games one evening.  Our children loved playing with their children.  All evening long they were running around doing what young kids do while we adults visited in the kitchen.   

After our friends left, my wife noticed something yellow on the sink faucet.  Later she found more yellow on the door handle, the carpet, the wall, and many other places.  Someone (we later learned that it was Catherine) had touched my most recent wet painting and tried to clean the paint off her fingers by wiping it everywhere.  I examined the painting and found finger prints which swirled around and around and darted here and there.  My wife was quite upset, but I just took a rag with clean mineral spirits and began to clean the paint from around the house (yes, it all came clean).   

The next morning our friends called.  They were nervous and apologetic, offering to pay "$20 a month for the rest of their lives" to pay off the painting that their daughter ruined.  I assured them that it was no big deal.  I paint impressionistically enough that the areas she touched didn't hurt the painting.  I was able to easily hide the finger prints.  I actually left many of the less noticeable finger prints as they were.  They added character to the painting. 

After my wife and I finished telling the story to the collectors, they had to have the painting.  They had made a connection with the painting that went far beyond the subject.  The artwork originally meant something to them.  They loved it.  It spoke to them.  But the story magnified the meaning.  Suddenly, the painting meant much more.  They may have bought the painting anyways.  But having heard the story, they purchased much more than just the painting.  They purchased the story.  They purchased a connection with a curious 5 year old girl.   

Every work of art has a story.  Not all stories are comical like these two.  Some are more serious.  Some are profound. Some are simple.  But all stories add meaning to the dialogue.  The stories enrich and deepen the connections made.   Share your stories.   Allow your collectors the opportunity to connect with your artwork. 

Sincerely,

Keith Bond 

PS  Many people argue that a work of art should speak for itself.  I agree completely.  The artwork can and should engage viewers without needing to resort to an explanation.  However, we are talking about connecting with the collectors.  We are talking about having conversations and building relationships.  Sharing things about yourself and your art make the work more meaningful and enrich the lives of those who collect your work.  They want to know about you and your work.  These stories make them feel like an adopted sibling.  You have brought them into your family.  You are sharing something more intimate with them.  You are giving them the opportunity to share in the experiences.  They become spectators.  They become fans.  They become friends.


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Topics: art marketing | Creativity and Inspiration | Sales 

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 3 Comments

Pia f. Walker
via web
I have to admit that I was apprehensive about sharing the story when I first started selling my artwork - I didn't want to tar the pieces with my very own individual stories. Yet I have come to totally agree with the art work selling itself first and then adding the interesting layer of the story or inspiration behind the piece. I find that usually a collector has already added their own story to my pieces, and upon hearing that my inspiration was similar to their, a perfect match is usually made.
Clint Watson
via web
Pia - you're absolutely correct - that's a great thing about art - the collectors can continue to add to the story...
Floyd Smith
via clintwatson.net
"The dinner guest that didn't show up."
This is what could or may happen in the coming
months, only because someone feels left out as
we inner the last few months of the year, in the art contest. All of us I think would like to win,
first place, second or third even better. I for one would feel like I was on top of Mount-Everest, for just a mention. So many of us have a shoe-box full of rejection slips, as an artist or writer. No secret here. Even the best writers over the last fifty years, have had the blues because at first they were not taken seriously. But then it all changed. This could happen to us as artist too, the day we can say. "I made it." You can just about feel your heart take up all the room in your chest. Its a good feeling. This is why I say, that for us that have not won, not even a mention, may even make one feel like they're sitting on the side of the road, cold and wet with that empty feeling. It may not be about art, but other things life will throw at us. I can only hope that if there is one or two that don't want to come to the party or the dinner table (art contest) for reasons the rest of us may not understand. Please still come. How are we as an artist family, going to know you as an artist, a friend, the master piece still somewhere inside you waiting to come out. It may not happen this month, but could happen next month. I may not be a winner for the next six months, but I'll still come to the party, for dinner too - only because I'm having so much fun, the chance to learn more about art, make new friends, and maybe make some money - that stuff that makes my brown-eyes turn blue.
Where else could I get all this for penny's a day. Being here may not include a five-course meal. "Just getting an invite, makes my day."









 
 

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